Live streaming on Altcast.TV is now available!
TURKISH STAR WARS๐ธ๐ฝ๐๐ฐ๏ธ๐ [Dรผnyayฤฑ Kurtaran Adam | The Man Who Saved the World]
โฃTwo space cadets crash-land on a desert planet, where an evil wizard seeks the ultimate power to take over the world. Although the movie borrows some background footage from Star Wars, the plot is mostly unrelated.
https://www.esquireme.com/news..../the-strange-case-of
The strange case of Turkish Star Wars
The Ottoman Empire Strikes Back
The sub-genre of mockbusters has been celebrated (albeit somewhat ironically) for years, with a brisk trade in VHS tapes and copied DVDs. Now, many of the โclassicsโ of that genre are freely available on the internet, often with recently-added English subtitles.
While the likes of Asylum studio in America are currently doing fine with modern straight-to-DVD rip-offs and Bollywood regularly steals from American films (โnow with added dancingโ), few do it better than the Turks did. Some spectacular mockbusters were made in the 1970s and โ80s in Turkey that really need to be seen to be believed. The most famous of the collection is the โTurkish Star Warsโ.
In 1982, director รetin Inanรง made a film called Dรผnyay Kurtaran Adam, which translates as โThe Man Who Saves the Worldโ. It would become famous by its unofficial title โTurkish Star Warsโ. This was mostly due to the wholly unauthorised use of spliced-in footage from George Lucasโ โ77 original that Inanรง used for many of his filmโs scenes. Not all of them made sense in context and they were all in a different aspect ratio to the rest of the film. But that didnโt stop the sticky-fingered director, who seemed to have a plan that consisted of stealing clips and music from wherever he could. He filled the rest of the (very loose) narrative with his own actors, and although the plot doesnโt follow the original Star Wars shot-for-shot (far from it) itโs very clear what film is mostly being copied.
Inanรงโs film, and numerous others like it, was made because around that time the Turkish film board wasnโt letting many Western blockbusters into the country. Inanรง had started out making erotica, but following the military coup dโรฉtat of the country in 1980 and the passing of new censorship laws, he decided to move into propaganda and action films instead. He soon gained the nickname โjet directorโ due to his penchant for making entire films in just ten days.
Unfortunately, the lack of money at his disposal and minimal time spent on his films was clearly evident in the final products.
As well as stealing actual footage from Star Wars, other gaps in the film โ and budget โ were filled with stock footage of the Russian space programme and old newsreel clips of NASA rocket launches. And when it came to the original effects shot in Turkey, itโs evident that no expense was spent.
They did a least have a recognised actor. The filmโs star was Cรผneyt Arkin, who far from being a desperate B-movie jobber was one of the biggest actors in the country at the time. (He is now considered a legend of Turkish cinema, with over 250 films to his name.) Arkin was a qualified doctor but, more relevantly, was also a trained martial arts expert. So rather than lightsaber fights there are a lot of hand-to-hand combat scenes that make good use of his skills. One scene in particular โ the training montage โ has become cult viewing. While such scenes have become a clichรฉ to the point that even doing a parody of it is now clichรฉd, this one is bewilderingly fantastic. At one point the hero kicks a boulder into a wall causing an explosion. The fact that itโs all set to the Giorgio Moroder version of the Battlestar Galactica theme just makes it somehow better. And weirder.
In fact, the whole soundtrack is a rip-off, but as with the montage, rather than just taking the original Star Wars music by John Williams, it also makes use of other famous scores. Along with Battlestar Galacticaโs music, the director also incorporates the Raiders of the Lost Ark theme tune; at other points it โborrowsโ music from Flash Gordon, Moonraker, Planet of the Apes, Silent Running and even uses Bachโs โToccata and Fugue in D Minorโ.
It was not uncommon at the time for soundtracks and characters from other films to be used in Turkish cinema. For example, in one of the Turkish Batman films, the villain looks suspiciously like a total rip-off of Ernst Blofeld from the James Bond series. Those suspicions are confirmed when you see him in one scene with a cat on his lap and then, just in case you still werenโt sure, the famous John Barry 007 theme strikes up.
While some of the martial art skills on display in Dรผnyayฤฑ Kurtaran Adam are fairly decent, it seems strange to see them being used in the famous Alderaan cantina scene on home-made aliens that look like Sesame Street puppets. At one point, a large Elmo look-alike is karate-chopped in half. All of this is intercut with actual Star Wars alien footage and with a ropey cover of the cantina bands music playing in the background.
Along the way we see a copy of Robbie the Robot from Lost In Space, working for someone who is clearly based on Ming the Merciless. There are skeletons on horseback, zombies, slave girls, โ50s style spacemen, two golden ninjas and a big furry monster that even the props department from early Doctor Who episodes would laugh at. This creatureโs voice was seemingly over-dubbed by someone going โGrrrrrโฆraaaahโ in post-production. Itโs all a wonderful mess, but other than the unintentional hilarity, the only thing going for it compared to the Lucas series is the complete absence of Jar Jar Binks.
Although not a success at the box office, it spawned a sequel โ Son Of The Man Who Saves The World. Arkin continued to get regular work although his last film in 2008 was a poorly-received Turkish sex comedy that currently has an IMDb score of 1.8 out of ten.
Turkish Star Wars, however, has become cult viewing, with surprisingly regular public screenings, and it has led to director รetin Inanรง being celebrated as the Turkish Ed Wood. Inanรง would go on to make rip offs of Jaws and Rambo (see right) during the โ80s, but Turkish Star Wars will forever be his magnum opus.
Despite the fact that the film infringes on a huge number of copyrights, the film itself is seemingly not in copyright so is free in the public domain to view or download via the excellent http://archive.org. Itโs worth seeing, if only so the next time someone says to you that the latest Hollywood film was the worst film they have ever seen, youโll be able to reply, โHang on, have you ever seen Turkish Star Wars?โ
Six other Turkish mockbusters
Korkusuz (1986)
Translated as โRampageโ, this is the Turkish version of Rambo, and despite the low standard set by the American original this still falls comically short. His rocket launcher appears to be a childโs toy that barely shoots more than six feet, but that doesnโt stop the many explosions in the distance and hammy deaths galore.
Badi (1983)
Special effects are tricky to do with no budget, but that didnโt stop the Turks making their own version of E.T. using a child in a rubber alien suit. It emits smoke from its rear end and some scenes are speeded up, but then it veers from slapstick comedy to heartbreaking scenes of animal death that would give Kes a run for its money. The sequel (Homoti) features an alien with a visible zip on his back.
Seytan (1974)
The Exorcist gets the treatment with a plot that pretty much follows the original (except being Turkish instead of using the Bible they use the Muslim Holy book) while the famous scene with the possessed child in bed is like a strange parody. That said, itโs not as bad as the others listed here. Sure itโs not going to have you leaving the lights on at night, but weโve seen worse effects in recent B-movies.
Sรผpermen Dรถnรผyor (1979)
This version of Superman has some truly horrible flying special-effects and the fight scenes are comically choreographed, in places looking more like an episode of The Benny Hill Show. In its defence, however, unlike the Indian Superman rip off, at least his Turkish counterpart doesnโt occasionally break into a very camp dance routine for no reason.
รรถl (1983)
In the Turkish version of Jaws, along with the famous shark (and its visibly peeling paint job) there are martial arts fights, high-speed car chases and in the middle of the film, an exotic dance sequence. Purists will be glad to see the famous John William theme is used, but also present one the soundtrack are Survivorโs โEye of the Tigerโ from Rocky and instrumental cover version of Led Zeppelinโs โWhole Lotta Loveโ.
Turist รmer Uzay Yolunda (1974)
The Star Trek rip-off was loosely based on one of the 1966 episodes of the original TV series and notably would have had a budget of about the same. And, rather than an American soundstage they got to use the actual ruins at Ephesus as a setting for an alien planet, yet still this comes off as pretty terrible. The addition of a comedy Turkish tramp named รmer the Tourist (mentioned in the title) really doesnโt add to Gene Roddenberryโs original vision.
--
After many attempts to gather the original actors in the film to create a sequel to The Man Who Saved the World, a follow-up, The Son of the Man Who Saved the World (Dรผnyayฤฑ Kurtaran Adam'ฤฑn Oฤlu), commonly known as Turks in Space, was shot in 2006.
The sequel was released on 15 December 2006. Some fans expressed their disapproval that the special effects were not similar to the original film, where all the space scenes were ripped directly from science fiction titles of the time, such as Star Wars, the Star Trek series, and Battlestar Galactica. Famous actors from Turkey, such as Mehmet Ali Erbil took part, and Kartal Tibet directed.