⁣Source: https://www.youtube.com/watch?v=MXeHnvImcMk

The history of the influence of Eastern European Jewish Emigre culture has had on Hollywood and the films created in its golden age.
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https://thecriticaleye.me/2014..../04/04/hollywoodism-

Synopsis: From Columbia Pictures to Warner Brothers, the studios that gave rise to the Hollywood empire were all founded by innovative Eastern European immigrants and first-generation American Jews.

Called “a lucid, inviting work of social history” (The New York Times), this mesmerizing program tells several dramatic stories, including the rise of American film, the personal sagas of the people who shaped it, and the origins of so-called Hollywood values. Using never-before-seen home videos, film clips, and interviews with everyone from Carl Laemmle, cofounder of what is now Universal Studios, to film critic Leonard Maltin, this is a groundbreaking portrait of how Hollywood first began.

A&E® is proud to present a fearless and provocative look at how the founders of “America’s Dream Factory,” while struggling to reinvent themselves as Americans, managed to change the image of the nation itself.

***********************************************************************

Hollywoodism: Jews, Movies and the American Dream 7.25

eyelights: the historical perspective of Hollywood that the film provides.
eyesores: its limited exploration of momentous aspects of Hollywood history.

“Hollywood was a dream, dreamt by Jews who were fleeing a nightmare”

‘Hollywoodism: Jews, Movies, and the American Dream’ is a documentary based on the book ‘An Empire of Their Own: How the Jews Invented Hollywood’, by Neal Gabler. Rife with film clips and archival footage, it provides an overview of the origins of Hollywood – of the six men who started it all, from their arrival to the U.S. at the turn of the 20th century to the mid-’50s.

Originally produced for and broadcast on A&E, it was repackaged on DVD under the title ‘Hollywood: An Empire of Their Own’. I picked it up a few years ago as part of an A&E Biography boxed set featuring many documentaries on various Hollywood legends. ‘Hollywoodism’ had been one of the more informative ones, given that it had a larger scope.

Back in the day, there were five major movie studios, all established in the ’20s: 20th Century Fox, MGM, Paramount, Universal, and Warner Bros. All were brought to life by Jewish immigrants from Eastern Europe, who had lived within a 500 mile radius: William Fox, Samuel Goldwyn, Carl Laemmle, Louis B. Mayer, Henry Warner, and Adolph Zukor.

Persecuted back home, they came to America to start over. They all changed their names in a bid to leave their past behind and to be accepted in this new life. They even went so far as to hide their heritage from their children, in order to give them a fresh start. Unfortunately, their options were incredibly limited, so most of them to struggle to find work.

Before they got into the movies, motion pictures were very anti-immigrant or critical of non-white Protestants; the biggest cinematic achievement before their arrival on the scene was ‘Birth of a Nation’. Racism and intolerance prevailed: it is said that Edison so wanted to keep Jews out of the business that he ended up driving them out to California.

…to what would become Hollywood.

These pioneers weren’t easy to fell. Tough as nails, they all brought their respective studios to life within a few years. Carl Laemmle even went so far as to found Universal City, with its own postal service, police station, …etc. He created a small movie-making city that exists to this day (although it has morphed to a certain degree through the years).

Their personal experiences translated in the films that they made. Universal had the persecuted monsters, Warner Bros. had the little guys (the losers, …etc.), Columbia focused on the “common man”, Paramount went with fantasy/escapism, and MGM brought class on a grand scale. On screen, their personal determination to survive translated as the will of the everyman to overcome obstacles.

Eventually, they created an image of America based on their own ideals, including a worship of the mother figure, a distrust of the father figure, and an idyllic life that was wrapped up in personal freedom, a sense of community, and patriotism. It was so popular with the masses that it became something to aspire to – an “American Dream” that persists today.

‘Hollywoodism’ also discusses other significant figures, such as acclaimed songwriter Irving Berlin, who was also a Jew and who expressed similar concerns and values as the movie moguls did...

Read more at the above URL

⁣COVID19 is YOUR ASSIGNED MACHINE ACCESS CODE 🤔🤭🤫🤯
Originally posted on May 16, 2020 @ https://gm-no.blogspot.com/202....0/05/covid19-is-your [erased by Google last year]

https://room8guy.substack.com/....p/covid19-is-your-as

Consider the implications as you watch this [the one thing VfB did NOT foresee is metal objects adhering to people because of the DEATH JAB 💉😷☠]

This film explores the unprecedented global rollout of mRNA vaccine technology - and the complex scientific and regulatory questions it continues to raise.

At its heart, the story follows scientists and physicians who voice concerns about potential gaps in data transparency, risk assessment, and long-term safety - not to discredit science, but to uphold its highest standards.

Regulators and much of the scientific community maintain that COVID-19 mRNA vaccines are safe and effective. Meanwhile, the technology is rapidly expanding - from new vaccines to potential use in the food supply.

Around the world, thousands of medical professionals are calling for a pause and careful reassessment of this rapidly adopted platform.

Through exclusive 3D animations and in-depth interviews, the film presents an alternative perspective on the science behind mRNA technology, featuring leading voices in the debate such as Dr. Peter A. McCullough, Dr. Paul E. Marik, and Dr. Robert W. Malone.

Source: https://old.bitchute.com/video/gwAFaIzWB8p5/

⁣Source: https://gab.com/Wanderers_Choi....ce/posts/11182939600

Thumbnail: https://thefederalistpapers.or....g/us/hypocrisy-liber

Here's a clip of Elijah explaining how he knows there are anti-White agendas against European people in all of our countries. He points out that even when non-Whites do something that the jews use that as excuses to make laws against right-wing politics, White people.

Clip is taken from this video starting around the 15 minute mark.
https://www.youtube.com/watch?v=3VL_XpMx0k0

In 2023, HIAS Jews received 105 million tax payer dollars that went directly toward racially replacing those same tax payers.

https://gab.com/ryanmurdough/p....osts/111804971875553

Excerpt to the end:

As if in one voice, the mainstream media and self-anointed intelligentsia argued that antiquated religious sensitivities must not be allowed to interfere with either an artist’s free expression or his right to government funding regardless of how offensive his work may be to Christians.

Well, it seems that things have changed.

In Garland, Texas, on Sunday, two radical Muslims died trying to replicate the Charlie Hebdo massacre by mounting an armed attack on a “draw Mohammed” cartoon contest. We are not talking about drawings of Mohammed dunked in urine or smeared with animal dung. No, the gunmen apparently deemed the mere drawing of Mohammed to be an offense punishable by death.

What has been the response of the liberal media to this act of lunacy? Have the talking heads come to the defense of the cartoonists’ right of free expression in a pluralistic society? Has anyone publicly observed that drawings of Mohammed might “jolt” Muslims “into an expanded frame of reference” or “illumination”? Far from it. The overall media consensus has been to blame the intended murder victims for recklessly provoking the terrorists. Such provocation, we are told, is unacceptable and irresponsible behavior given the risk of retaliation by offended radical Muslims.

By this bizarre logic, the Rev. Dr. Martin Luther King Jr. and the Selma marchers should be condemned for instigating the melee on the Edmund Pettus bridge. Same for the three murdered civil-rights workers in Mississippi, the victims of Bull Connor’s police dogs, and anyone else who has taken a stand that might irritate violence-prone people.

For the mainstream media and chattering classes, dumping on peaceful, law-abiding Christians is good, safe sport. But pointing the finger of blame at murderous Muslim fanatics? Well, let’s not get carried away. Rather than draw the ire of radical Muslims by firmly and unequivocally condemning the attack, the infotainment industry has concentrated its attention on the provocative nature of the draw-Mohammed contest. After all, like a drunken, immodestly dressed rape victim, weren’t the draw-Mohammed contestants just asking for it?

Better to question the wisdom of cartoonists exercising their rights than to acknowledge and vigorously confront and expose the elephant in the room, i.e., that there is a disturbingly large number of radical Muslims in this country who oppose our Constitution and who believe that murder is an appropriate sanction for those who offend Islam. That, of course, is the real story behind the attack in Texas. But to grapple with that might inflame those radicals and pose a risk to careers and corporate profits, or result in expulsion from the preening ranks of the politically correct.

⁣Democrat California gubernatorial candidate Katie Porter stormed off an interview set for "being asked questions" - prompting a renewed interest in her past ...
___

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Source: https://www.youtube.com/watch?v=GomKW3FJhhA

⁣Ryan Garcia said that he has been to the Bohemian Grove, that it's real and he was forced to participate. He was in a Twitter space with Andrew Tate.
https://twitter.com/WorldDarkW....eb/status/1765098047
Source: https://gab.com/Wanderers_Choi....ce/posts/11204962894
Comment from GAB:
'Bohemin Grove is near where I grew up as a child. It is next to a small town in Sonoma County, known to be the gay capital of the world.
Interestingly I remember seeing ads for "servers" there that would pay $50 an hour and required an NDA. This was about 4 years ago.'

⁣Rabidly Zionist podcaster Mark Levin recently refused Tucker Carlson’s invitation to publicly debate U.S. foreign policy and Israel, describing Carlson as a Nazi along with some other choice epithets.

Jimmy points to commentary from former Fox News host Megyn Kelly, who warned Levin that his rhetoric is dangerous and urged him to debate “like a man” for the good of the conservative movement.

Jimmy tells guest host Chris Keene that Levin’s refusal serves as evidence of insecurity, noting that Tucker, Candace Owens, and other “America First” voices have far larger platforms and growing influence. He concludes that the controversy reflects a larger internal struggle within conservatism as younger audiences move away from establishment, Israel-first politics.

Follow Chris on Twitter: https://twitter.com/chrisgkeene
Chris’s YouTube channel: https://www.youtube.com/@chrisgkeeneBecome

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Source: https://www.youtube.com/watch?v=LQhMWrRhgfo

⁣EVERYTHING OCCURS IN CYCLES 🔄 FIBONACCI'S CURVE PROVES TRUE IN EVERY INSTANCE
I've heard as many as 188 instances of the (((six million))) figure used in periodicals prior to 1945...how is that possible?!?
THE (((SIX MILLION))) FIGURE IS A MAGICK SPELL...BUT BECAUSE I REFUSE TO BELIEVE IT, IT HOLDS LESS THAN ZERO POWER OVER ME 🥸
Rufus_2688 - Always remember… History tends to repeat itself… Funny… they never taught us about this in history class so make sure to pay attention 👀
Source: https://twitter.com/No_Curve/s....tatus/17651656150173
Thumbnail: https://www.adl.org/resources/....backgrounder/key-hol
Trope: Details of the Holocaust Have Been Exaggerated
Some so-called Holocaust “revisionists” claim they don’t deny the Holocaust happened, but simply dispute some of the findings of mainstream historians. They use this rhetorical strategy to try to avoid the moral disgust that many people feel towards Holocaust deniers, but upon examining many of their claims it is clear that their goal is indeed to deny the essential fact of the Holocaust: that approximately six million Jews were killed by the viciously antisemitic Nazi regime, including many in gas chambers.
Pseudo-academic Holocaust deniers and white supremacist, antisemitic trolls alike dispute the fact that six million Jews were killed, often claiming that the actual death toll is much lower, and many deaths were due to diseases like typhus rather than large-scale systemic murder. They also dismiss or minimize the role of the gas chambers, arguing that it was scientifically and technically impossible for the Nazis to have killed that many Jews, and the gas chambers were not used for extermination.
Holocaust deniers often highlight false or misleading statistics about the Jewish population before and after the war to support their claims. White supremacist trolls also attempt to minimize the scale of the Holocaust; their frequent use of the nonsensical phrase “six gorillion,” a clearly made-up number, is meant to indicate they believe the six million deaths are fake as well.
Trope: Witness Testimony is Fabricated or Inaccurate
Holocaust deniers often dispute the authenticity of Holocaust survivors’ testimonies, dismissing them as unreliable and inaccurate. They also dispute eyewitness accounts left behind by those who were murdered, claiming Jewish survivors and victims manipulate public opinion about Nazi Germany and make non-Jews feel guilty. Examples include claims that Elie Wiesel’s memoir Night has no historical value or that Anne Frank’s diary is a forgery.
Trope: Jews Invented the Holocaust for Financial and Political Gain
Holocaust deniers argue that the “Holocaust hoax” is designed to elicit guilt from Western countries and populations, which Jews then use for financial and political gain, including by pressuring Germany for reparations to Holocaust survivors.
Deniers imagine a vast, shadowy Jewish conspiracy that controls entire institutions and industries in order to disseminate the Holocaust narrative. They allege that white, Western Christian nations have been swindled and extorted by the Jews through the perpetuation of so-called “Holocaust mythology,” including educational curricula and Holocaust museums and memorials.
These claims draw on longstanding antisemitic tropes about alleged Jewish control and greed and the conspiratorial notion that Jews are engaged in a nefarious plot to take over the world.
Trope: The Holocaust is a Zionist Political Tool
For decades, anti-Zionism has been an important element of Holocaust denial. Many deniers, drawing on tropes about Jews being greedy and deceitful, claim that Jews invented the Holocaust “story” in order to manipulate global powers and gain support for the creation of the state of Israel in 1948. They also claim that Zionists have continued to exaggerate or fabricate the scale of the Holocaust to increase political and financial support for Israel during periods of conflict with other countries, to distract from Israel’s actions against Palestinians and to silence Israel’s critics.
Hardcore Holocaust denial organizations and ideologues also push the narrative that the collective stifling of Holocaust denial is an example of supposed global Zionist control and the power of the “Israel lobby.” These arguments lean toward broader conspiracy theories about alleged attempts by “globalists,” “elites,” Jews and Zionists to control discourse across the world.
⁣Trope: Jews are Responsible for Their Own Persecution
Some Holocaust deniers choose to blame the victims while also denying the most heinous crimes of the Holocaust. This trope alleges that, to the extent that Jews were targeted, it was due to direct Jewish collaboration with Hitler’s regime, and that those Jews who did die during this period were causalities of a Zionist-led and financed effort to work with Nazis directly in order to establish the State of Israel and persuade Jews to emigrate there. These deniers see no contradiction between denying the existence of the gas chambers and the Final Solution, and blaming Zionists for whatever Jewish persecution they acknowledge actually occurred.
The promotion of this trope distorts historical facts by downplaying the responsibility of the Nazis in perpetrating the Holocaust and reframing specific events both prior to and during World War II to fit their narrative. It also serves to portray Zionists historically and today as callous, deceitful and evil people who will take any actions necessary to achieve their goals.

⁣Kim Dotcom - Kim Dotcom - I paid so u have it for free: The Hunter Laptop Docu

Share this freely

Documentary Producer Robert Perry: "My duty as an American journalist (is) to inform Americans not about constructed narratives planted by mainstream media in their minds, but about what is going on for real in this country. This is why it is important for me."

https://x.com/Video_Forensics/....status/1989996996002

Source: https://x.com/KimDotcom/status/1989880868899627307

Thumbnail: https://www.independent.co.uk/....news/world/americas/

⁣This congressman (don't know his name) is basically what all of the US government has become. All traitors for jews. It's infuriating isn't it?
https://fleischmann.house.gov/
Source: https://gab.com/johnnydoomsaye....r/posts/112055086976
About Chuck
Congressman Chuck Fleischmann is a conservative Republican representing the 3rd District of Tennessee. The District is comprised of 10 counties: Anderson, Bradley, Campbell, Hamilton, McMinn, Monroe, Morgan, Polk, Roane, and Scott.
Chuck earned his undergraduate degree in political science from the University of Illinois. He received both Phi Beta Kappa and Magna Cum Laude honors. He then went to the University of Tennessee law school, where he received his Doctor of Jurisprudence.
For 24 years, Chuck and his wife ran a small business together in Chattanooga after they both graduated from law school at the University of Tennessee.
Chuck has served on the board of the National Craniofacial Association and the board of the Cherokee Area Council of Boy Scouts of America. He has also served as the president of the Chattanooga Bar Association and chairman of the Chattanooga Lawyers Pro Bono Committee.
Since taking office, Chuck has a 100% pro-life voting record and continues to support legislation that protects the Second Amendment rights of East Tennesseans.
Chuck serves on the Appropriations Committee, which is vitally important to the residents of the 3rd District. Within the Committee, he serves on three crucial subcommittees:
Energy and Water Development, and Related Agencies
Labor, Health and Human Services, Education, and Related Agencies
State, Foreign Operations, and Related Programs
As well as serving on the Appropriations Committee, Chuck also sits on the House Committee on Science, Space, and Technology. Within the Committee, he serves on the Energy Subcommittee.
In the 118th Congress, Chuck was named Chairman of the Energy and Water Subcommittee of Appropriations. As Chairman, Chuck leads the charge to fund the federal agencies and programs responsible for the United States’ national laboratories, nuclear security, and energy independence.
Chuck’s role as Chairman of the Energy and Water Development, and Related Agencies subcommittee allows him to fight for funding for the Chickamauga Lock, a critical East Tennessee infrastructure project. In addition, this subcommittee assignment is of paramount importance to the northern region of the Third District, which is home to Oak Ridge National Lab, Y-12 National Security Complex, and a large environmental cleanup mission, all of which rely on funds appropriated by this subcommittee.
Chuck and his wife, Brenda, live in Ooltewah, Tennessee, and have three boys: Chuckie, Jamie, and Jeffrey.

⁣MAGA Storm - 🚨 WOW… WATCH THIS

Tina Peters is literally calling into War Room from prison — and she’s the one exposing Colorado’s election system as wide-open and compromised.

She says 670 Dominion BIOS passwords from 63 of 64 counties were posted on a public Colorado Secretary of State website… since JUNE.
Anyone could grab them.
Anyone could use them.

And the person who did that?
Jenna Griswold.
Not Tina.

This is what political weaponization looks like.
This is tyranny.

Tina didn’t steal anything.
She didn’t hack anything.
She exposed the people who did — and now she’s wearing an orange jumpsuit while the officials who leaked passwords walk free.

War Room called her a political prisoner.
A Gold Star mom.
A patriot.
And honestly… it’s hard to disagree.

If leaked Dominion passwords were sitting online for months…
If clerks weren’t told…
If elections in Colorado, Arizona, and Michigan were vulnerable…

…then how is SHE the one in prison?

Free Tina Peters.

Source: https://x.com/MAGAStormX/statu....s/199054853404358291

Thumbnail: https://x.com/RealHickory/stat....us/19907927431159810

Please call and ask for Tina Peters to be released immediately
To God be all the glory.
https://x.com/HelpStopHate/sta....tus/1990876951674749
https://x.com/ninoboxer/status..../1989463883166470530
White House 202-456-1111
202-456-1414
Colorado Governor's Office (303)866-2471
https://x.com/mayrasc26782551/....status/1990488943859
https://x.com/mayrasc26782551/....status/1990600758945

⁣Two space cadets crash-land on a desert planet, where an evil wizard seeks the ultimate power to take over the world. Although the movie borrows some background footage from Star Wars, the plot is mostly unrelated.

https://www.esquireme.com/news..../the-strange-case-of

The strange case of Turkish Star Wars

The Ottoman Empire Strikes Back

The sub-genre of mockbusters has been celebrated (albeit somewhat ironically) for years, with a brisk trade in VHS tapes and copied DVDs. Now, many of the “classics” of that genre are freely available on the internet, often with recently-added English subtitles.

While the likes of Asylum studio in America are currently doing fine with modern straight-to-DVD rip-offs and Bollywood regularly steals from American films (“now with added dancing”), few do it better than the Turks did. Some spectacular mockbusters were made in the 1970s and ’80s in Turkey that really need to be seen to be believed. The most famous of the collection is the “Turkish Star Wars”.

In 1982, director Çetin Inanç made a film called Dünyay Kurtaran Adam, which translates as “The Man Who Saves the World”. It would become famous by its unofficial title “Turkish Star Wars”. This was mostly due to the wholly unauthorised use of spliced-in footage from George Lucas’ ’77 original that Inanç used for many of his film’s scenes. Not all of them made sense in context and they were all in a different aspect ratio to the rest of the film. But that didn’t stop the sticky-fingered director, who seemed to have a plan that consisted of stealing clips and music from wherever he could. He filled the rest of the (very loose) narrative with his own actors, and although the plot doesn’t follow the original Star Wars shot-for-shot (far from it) it’s very clear what film is mostly being copied.

Inanç’s film, and numerous others like it, was made because around that time the Turkish film board wasn’t letting many Western blockbusters into the country. Inanç had started out making erotica, but following the military coup d’état of the country in 1980 and the passing of new censorship laws, he decided to move into propaganda and action films instead. He soon gained the nickname “jet director” due to his penchant for making entire films in just ten days.


Unfortunately, the lack of money at his disposal and minimal time spent on his films was clearly evident in the final products.
As well as stealing actual footage from Star Wars, other gaps in the film – and budget – were filled with stock footage of the Russian space programme and old newsreel clips of NASA rocket launches. And when it came to the original effects shot in Turkey, it’s evident that no expense was spent.

They did a least have a recognised actor. The film’s star was Cüneyt Arkin, who far from being a desperate B-movie jobber was one of the biggest actors in the country at the time. (He is now considered a legend of Turkish cinema, with over 250 films to his name.) Arkin was a qualified doctor but, more relevantly, was also a trained martial arts expert. So rather than lightsaber fights there are a lot of hand-to-hand combat scenes that make good use of his skills. One scene in particular – the training montage – has become cult viewing. While such scenes have become a cliché to the point that even doing a parody of it is now clichéd, this one is bewilderingly fantastic. At one point the hero kicks a boulder into a wall causing an explosion. The fact that it’s all set to the Giorgio Moroder version of the Battlestar Galactica theme just makes it somehow better. And weirder.
In fact, the whole soundtrack is a rip-off, but as with the montage, rather than just taking the original Star Wars music by John Williams, it also makes use of other famous scores. Along with Battlestar Galactica’s music, the director also incorporates the Raiders of the Lost Ark theme tune; at other points it “borrows” music from Flash Gordon, Moonraker, Planet of the Apes, Silent Running and even uses Bach’s “Toccata and Fugue in D Minor”.

It was not uncommon at the time for soundtracks and characters from other films to be used in Turkish cinema. For example, in one of the Turkish Batman films, the villain looks suspiciously like a total rip-off of Ernst Blofeld from the James Bond series. Those suspicions are confirmed when you see him in one scene with a cat on his lap and then, just in case you still weren’t sure, the famous John Barry 007 theme strikes up.

While some of the martial art skills on display in Dünyayı Kurtaran Adam are fairly decent, it seems strange to see them being used in the famous Alderaan cantina scene on home-made aliens that look like Sesame Street puppets. At one point, a large Elmo look-alike is karate-chopped in half. All of this is intercut with actual Star Wars alien footage and with a ropey cover of the cantina bands music playing in the background.

Along the way we see a copy of Robbie the Robot from Lost In Space, working for someone who is clearly based on Ming the Merciless. There are skeletons on horseback, zombies, slave girls, ’50s style spacemen, two golden ninjas and a big furry monster that even the props department from early Doctor Who episodes would laugh at. This creature’s voice was seemingly over-dubbed by someone going “Grrrrr…raaaah” in post-production. It’s all a wonderful mess, but other than the unintentional hilarity, the only thing going for it compared to the Lucas series is the complete absence of Jar Jar Binks.

Although not a success at the box office, it spawned a sequel — Son Of The Man Who Saves The World. Arkin continued to get regular work although his last film in 2008 was a poorly-received Turkish sex comedy that currently has an IMDb score of 1.8 out of ten.

Turkish Star Wars, however, has become cult viewing, with surprisingly regular public screenings, and it has led to director Çetin Inanç being celebrated as the Turkish Ed Wood. Inanç would go on to make rip offs of Jaws and Rambo (see right) during the ’80s, but Turkish Star Wars will forever be his magnum opus.

Despite the fact that the film infringes on a huge number of copyrights, the film itself is seemingly not in copyright so is free in the public domain to view or download via the excellent http://archive.org. It’s worth seeing, if only so the next time someone says to you that the latest Hollywood film was the worst film they have ever seen, you’ll be able to reply, “Hang on, have you ever seen Turkish Star Wars?”

Six other Turkish mockbusters

Korkusuz (1986)
Translated as “Rampage”, this is the Turkish version of Rambo, and despite the low standard set by the American original this still falls comically short. His rocket launcher appears to be a child’s toy that barely shoots more than six feet, but that doesn’t stop the many explosions in the distance and hammy deaths galore.

Badi (1983)
Special effects are tricky to do with no budget, but that didn’t stop the Turks making their own version of E.T. using a child in a rubber alien suit. It emits smoke from its rear end and some scenes are speeded up, but then it veers from slapstick comedy to heartbreaking scenes of animal death that would give Kes a run for its money. The sequel (Homoti) features an alien with a visible zip on his back.

Seytan (1974)
The Exorcist gets the treatment with a plot that pretty much follows the original (except being Turkish instead of using the Bible they use the Muslim Holy book) while the famous scene with the possessed child in bed is like a strange parody. That said, it’s not as bad as the others listed here. Sure it’s not going to have you leaving the lights on at night, but we’ve seen worse effects in recent B-movies.

Süpermen Dönüyor (1979)
This version of Superman has some truly horrible flying special-effects and the fight scenes are comically choreographed, in places looking more like an episode of The Benny Hill Show. In its defence, however, unlike the Indian Superman rip off, at least his Turkish counterpart doesn’t occasionally break into a very camp dance routine for no reason.

Çöl (1983)
In the Turkish version of Jaws, along with the famous shark (and its visibly peeling paint job) there are martial arts fights, high-speed car chases and in the middle of the film, an exotic dance sequence. Purists will be glad to see the famous John William theme is used, but also present one the soundtrack are Survivor’s “Eye of the Tiger” from Rocky and instrumental cover version of Led Zeppelin’s “Whole Lotta Love”.

Turist Ömer Uzay Yolunda (1974)
The Star Trek rip-off was loosely based on one of the 1966 episodes of the original TV series and notably would have had a budget of about the same. And, rather than an American soundstage they got to use the actual ruins at Ephesus as a setting for an alien planet, yet still this comes off as pretty terrible. The addition of a comedy Turkish tramp named Ömer the Tourist (mentioned in the title) really doesn’t add to Gene Roddenberry’s original vision.

--


After many attempts to gather the original actors in the film to create a sequel to The Man Who Saved the World, a follow-up, The Son of the Man Who Saved the World (Dünyayı Kurtaran Adam'ın Oğlu), commonly known as Turks in Space, was shot in 2006.

The sequel was released on 15 December 2006. Some fans expressed their disapproval that the special effects were not similar to the original film, where all the space scenes were ripped directly from science fiction titles of the time, such as Star Wars, the Star Trek series, and Battlestar Galactica. Famous actors from Turkey, such as Mehmet Ali Erbil took part, and Kartal Tibet directed.

⁣“Forbidden Technology and The Silencing of their Inventors”
For decades, VfB wondered why we've only kept hearing about unidentified flying craft...and NOT creating our own
I mean, everyone I've ever spoken to has heard of the 1947 crash at Roswell, New Mexico, and they've even heard of Bob Lazar, who's famously known for his work on reverse engineering of said craft...but then, BUPKIS
Unbelievable 🛸
Need I mention Stanley Meyer? 🏎⛽❌💧💀
at the age of 4, VfB realized that the moon landings were fake 🌝 I mean, the first guy there was the cameraman, Ed Palefsky!
Guys - you want spooky? The anagram of the ship's name is, "I'm Vlad" 🌉⛴💥
Source: https://twitter.com/TedLogan10....10/status/1773157541
Thumbnail: https://www.timesnownews.com/i....nternational/article
AltCastTV thumbnail: https://wifflegif.com/gifs/602....912-earth-vs-the-fly
Now, if you want to go on a journey...
its FRIDAY
https://goyimtv.com/l/35386952....79/The-Flood---03292
odysee.com/@FLOOD:3/TheFlood-032924-0248:d
entropystream.live/app/FLOOD
altcast.tv/@FLOOD
dlive.tv/OMGitsFlood
PARALLEL ELECTION CAMPAIGN 🗳 let's ROCHAMBEAU Operation: Trust in the sack

⁣Reports say the grenade found in Patagonia that caused widespread fires is an M26 IM, manufactured in Israel and used by the Israeli military.

Two Israelis were arrested for setting the fires.

https://x.com/alardah91/status/2009812584040689975

Argentine affected by the Patagonia fires interviewed by local news:

"They burned our paradise. They ruined everything. They're trying to sell Patagonia to the Jews. The place is crawling with Israelis. They're buying up the land. No one does anything."

Source: https://x.com/upholdreality/st....atus/201017372874388

⁣The German invasion was Sep 1939, but it's important to understand that many of the outrages had preceded the German invasion. This was proved by the amount of decomposition of the bodies. Thus, these atrocities cannot be excused simply as reprisals for the German invasion (which would be wrong anyway). They included 19 year-old girls with their faces smashed, amputations, disembowelments, shot thru' the eye, death-trauma births, you name it. Poles had been merrily slaughtering anything or anybody German since at least as early as April 1939, with smaller incidents stretching back to the close of WW I -- you haven't been told that by the Mass Media, or the fact that these atrocities were one of the main causes for the German invasion of Poland, something that was meant by the Germans to be a local solution to a local problem. Germany had already done the "right thing" by protesting in writing to the League of Nations literally dozens of times. The League of Nations did nothing, yet the problem had to be solved. As soon as Smigly's army started to lose, this bragging Polish "warrior" ran away to Romania, leaving his troops in a lurch! Yet to this day, no opprobrium is cast his way by the establishment media. Why not?]
Subsequent to the German invasion, Britain declared war on Germany, yet after the Soviet Union invaded the eastern Polish territory only a few weeks later, Britain neglected to declare war on the Soviet Union. Why not, if the integrity of Poland's borders was so important?

⁣COVIDIOCRACY brings you this tale:

⁣MMAKING YOU THINK posted on an alternate channel:

RADIATION SICKNESS
It's curious that all the symptoms of so-called COVID match those of Radiation Sickness. Also, if you do some deep research, you will find out that frequencies adversely affect the human body and are actually likely the cause of MOST illnesses today.

ATTACKING THE RESPIRATORY SYSTEM
Frequencies will primarily attack the respiratory system. The Controllers, with the new weaponized 5g system now in place across America, can, at will, INCREASE the output and intensity of the frequencies, which will result in waves of illness across the nation.

THE ELDERLY MOST VULNERABLE
The elderly will of course be the most vulnerable. The Controllers are trying hard to eliminate that sector of our society so the Deep State can continue on longer as the billions due in Medicare and Social Security payments would be hugely lessened if that sector was killed off.

Catherine Austin Fitts advanced the above assertion about two years ago, and we agree with it.

SYMPTOMS OF BEING HIT WITH MICROWAVES
At the time when microwave output is being ramped up, persons exposed to it will feel a sensation of heat on the face and sometimes on the body but no fever will be present.

They will then experience a weird odor in the air as if the oxygen is literally being fried out of the atmosphere. At the same time, they will have a hissing in the ears, which is the bodily sensory apparatus sensing the incoming radiation. At very intense levels, the brain will feel like it is "sizzling."

LUNG AND HEART ISSUES RISING DRAMATICALLY
While all those sensations are happening, the lungs and organs of the thorax are being attacked by the frequencies, often resulting in respiratory illness of one sort or another. If the intensity of the incoming radiation is strong enough, the heart will be affected and be thrown out of resonance. The general feeling will be one of extreme malaise.

RADIATION SICKNESS
That is all part of Radiation Sickness induced by the microwave and other radiations being blasted across certain areas of the country at regular intervals and now daily.

SUPER HIGH FREQUENCY MICROWAVE BLASTS
NOAA government maps exist which show the pulsing of Doplar Radar systems which use very high frequency microwave radiation. There are 158 Doplar installations in the US and its territories. Sometimes they pulse for 14 solid hours during the night. We are all being microwaved at high intensity----being cooked!

Other symptoms of being blasted with frequencies:
__Headaches
__Dizziness
__Lack of balance
__Memory problems
__Disorientation
__Nausea
__Extreme fatigue
__Myalgia (muscle aches)
__Irritability
__Neurological problems

SYMPTOMS AT HIGHER INTENSITIES
__Concussion-like symptoms
__Heart palpitation
__Irregular heartbeat
__Heart attack
__Stroke

EMERGENCY ROOMS ACROSS AMERICA OVERFLOWING
It's being called a healthcare crisis, as ERs across the nation are filled way over normal capacity, with a preponderance of respiratory and heart issues in many of the patients.

Due to the lack of space, many elderly are being left in hallways or waiting rooms in distress for hours on end, resulting in a portion of them later dying prematurely due to lack of prompt attention.

EMERGENCY ROOM CRISIS
The situation is reportedly worse than at the height of the COVID lockdowns. The average person remains clueless as to the effect of the frequencies they are being exposed to and no doctor will ever mention it.

In other words, frequencies can vastly disrupt bodily functions and can be used, at will, by the Controllers, to "cause" a wave of illness or even deaths across the nation, which they could then blame on this or that virus.

When frequencies levels are blasting in a high intensity, you will feel an extreme discomfort inside the skull similar to standing close to a huge sound speaker at a rock concert.

Also very dangerous to human health are Ultra-Low-Frequencies (ULF) which can be generated by wind turbines and other devices.
==============================================
If you found this info interesting or helpful, please hit thumbs up

Source: https://gab.com/QuinnTheEskimo....Pro/posts/1124453326

Thumbnail: https://imgflip.com/i/5ohfx2

⁣Subscribe Here: ‪@juliandoreyclips‬

FULL EPISODE: • “FRY Them!” - Julian ERUPTS on Epstein Mossad/CIA, Prince Andrew, Clintons & Shadow Elite | 387
https://www.youtube.com/watch?v=lcQqI33sOpA

The Epstein case continues to raise questions that haven’t gone away.

In this conversation, Julian Dorey reflects on interviewing an Epstein survivor and discusses some of the most disturbing allegations tied to the broader investigation. While many claims remain unproven or heavily debated, certain themes continue to resurface — elite power structures, secretive networks, and allegations that go far beyond financial crimes.

Some observers argue that the Epstein files hint at a supra-government level of influence — a network operating above traditional institutions. Others caution that speculation can quickly outpace verified evidence.

Julian breaks down:
• What he learned from speaking directly with a survivor
• Which allegations remain documented vs. unverified
• Why certain disturbing claims continue to circulate
• The idea of a global elite operating beyond normal accountability
• Why truth-seeking requires separating fact from narrative

This conversation doesn’t present conclusions — it explores the questions.

As more documents are released and more survivors speak publicly, the debate over what really happened — and who was involved — continues.
‪@juliandoreyclips‬

Source: https://www.youtube.com/watch?v=sA42c8LQs5U

⁣Absolutely disgusting!! Wow!
Watch and enjoy!

⁣MAVERICK X - Miley Cyrus Publicly Admits Being a Drag Queen

Source: https://x.com/MAVERIC68078049/....status/1796947438374

Thumbnail: https://www.losangelesblade.co....m/2019/02/22/miley-c

Miley Cyrus recently married her longtime boyfriend Liam Hemsworth but she has also been vocal that she identifies as pansexual and gender-fluid. In an interview with Vanity Fair, she delved into how she feels being a queer person in a heterosexual relationship.

“The reason that people get married sometimes can be old-fashioned, but I think the reason we got married isn’t old-fashioned — I actually think it’s kind of New Age. We’re redefining, to be f—ing frank, what it looks like for someone that’s a queer person like myself to be in a hetero relationship. A big part of my pride and my identity is being a queer person,” Cyrus, 26, says.

She continued on that she loves Hemsworth not because he is a man but because they connect on “almost a spiritual level.”

“What I preach is: People fall in love with people, not gender, not looks, not whatever. What I’m in love with exists on almost a spiritual level. It has nothing to do with sexuality,” Cyrus says. “Relationships and partnerships in a new generation — I don’t think they have so much to do with sexuality or gender. Sex is actually a small part, and gender is a very small, almost irrelevant part of relationships.”

“Like, who gives a f— if he’s a guy, if I’m a girl, or if he was a woman—who gives a f—? We really are stronger together. One is the loneliest number,” she added.

The story also included a personal essay by Cyrus on the topic in which she says she is “redefining” what a relationship can be today.

“Being someone who takes such pride in individuality and freedom, and being a proud member of the LGBTQ+ community, I’ve been inspired by redefining again what a relationship in this generation looks like. Sexuality and gender identity are completely separate from partnership,” Cyrus wrote.

⁣Tim, Ian, and Libby talk about the dissident right, salty cracker, and based as fuck GTV content streamers!

⁣It's amazing that I got this today - kudos to TEAM POO 🤓💩

https://www.youtube.com/@CobraTateTeam_Offical

https://www.reddit.com/user/Fa....ntastic_Big_2393/com