⁣Source: ⁣https://www.youtube.com/@mrmenno

⁣Hell hath no fury like a 'woman' scorned.


Starring Katie Yeomans, Tiffany Moore, David Walliams, Matt Lucas, India Willoughby, Tiesa Meskis, Zoey Tur, Eden Torres, Laura Hobbs and 'Unknown Person With Pink Hair'


#ItsMaam
___________________________________________


💜 Please support my work on Patreon so I can make more vids to call out the #GenderLies​​: https://www.patreon.com/BadGaySuperGay
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COPYRIGHT DISCLAIMER Under Section 107 of the Copyright Act 1976, allowance is made for the Use for purposes such as criticism, comment, news, reporting, teaching, scholarship and research. Fair use is permitted by copyright statute that might otherwise be infringing. Non=profit, educational or personal use tips the balance in favour of fair use. In other words this is just a simple reaction video.

Gamestop better step up to the plate

@axelgrease69
1 year ago (edited)
This man can actually rap better than most rappers nowadays

@spiker702
9 months ago
That dude can spit ngl

@kingbradley6000
2 years ago
I like how he doesnt even attempt to sound like a woman lmao.

@carloswater7
This is the manliest rap music I ever heard. Yet he claims to be a "ma'am"

"It's Ma'am!" (The Misgender Funk)
https://www.youtube.com/watch?v=HGbKy8yf0yk

https://www.surlyhorns.com/boa....rd/topic/10144-refus

LookWhat ICanDo posted:

Billboard Chris assaulted; police take side of trans attacker 🚨🦄👮

"The most violent group in the western world are transgender activists.
Here I am getting assaulted in the presence of dozens of police who do nothing."

https://twitter.com/BillboardChris/status/1641974876373393408?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1641974876373393408%7Ctwgr%5Ede2900d7785f2c1cf15427641cc944053288012d%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fhotair.com%2Fdavid-strom%2F2023%2F04%2F01%2Fbillboard-chris-assaulted-police-take-side-of-trans-attacker-n540944

https://hotair.com/david-strom..../2023/04/01/billboar

https://i.imgur.com/vFlygdC.jpg

⁣Country music viral sensation Oliver Anthony, singer of "Rich Men North of Richmond" has now spoke out publicly regarding his eight-million-dollar record label offer. Oliver Anthony made it very where he stands when it comes to being bought. Oliver Anthony means every word he sings in "Rich Men North of Richmond."

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⁣Girl Talk - All Day

AltCastTV & Odysee thumnail: https://tenor.com/search/get-to-the-point-gifs

The download is now available here.
http://illegalart.net/girltalk/shop/

All Day is intended to be listened to as a whole.
It is broken up into individual tracks only for easier navigation.

This album is a free download.

Girl Talk thanks all artists sampled.

Creative Commons License - http://creativecommons.org/licenses/by-nc/3.0/us/
All Day by Girl Talk is licensed under a Creative Commons Attribution-Noncommercial license. The CC license does not interfere with the rights you have under the fair use doctrine, which gives you permission to make certain uses of the work even for commercial purposes. Also, the CC license does not grant rights to non-transformative use of the source material Girl Talk used to make the album.

⁣Source: https://www.youtube.com/@PSA10Cards


⁣AltCastTV & Odysee thumbnail: https://giphy.com/explore/jason-aldean


#jasonaldean #trythatinasmalltown #woke #cmt #budlight

T-SHIRTS LINK - https://go-woke-go-broke.print....ify.me/product/18019

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Check out this listing by using the link below or searching the item# on ebay!
https://www.ebay.com/itm/18594....2986443?hash=item2b4

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⁣https://manowar.com/music/battle-hymns/


⁣BATTLE HYMNSRELEASED 1982
Death Tone
Metal Daze
Fast Taker
Shell Shock
Manowar
Dark Avenger
William’s Tale
Battle Hymn
Total playtime: 36:10 minutes
Produced by Ross The Boss, Joey DeMaio/ MANOWAR
Original release: 1986
Total playtime: 35:57 minutes
Also released as
BATTLE HYMNS – SILVER EDITION (2001, Produced by MANOWAR)
The BATTLE HYMNS – SILVER EDITION has been completely digitally re-mastered from the original tapes to provide the best sound imaginable. In striving for absolute perfection. Each CD contains a full-color booklet with 16-pages of liner notes, exclusive photos and interviews with the original four band members.
BATTLE HYMNS MMXI (2010, Produced by MANOWAR)
On iTunes
Album details
Completely re-recorded, the BATTLE HYMNS MMXI Edition celebrates the 30th anniversary of MANOWAR’s ground-breaking debut album.
BATTLE HYMNS MMXI – SPECIAL EDITION (2011, Produced by MANOWAR)
On iTunes
Album details

⁣Source: https://odysee.com/@ThisIsFine....:4/AcidMammothUnderA

There are three letters that do NOT exist in OMGItsFLOOD's lexicon - those letters are C P T - he gets up in the wee hours of the morning to red-pill you:
https://odysee.com/@FLOOD:3/saturday003:7

That's where VfB heard Acid Mammoth for the 1st time

https://www.metal-archives.com..../reviews/Acid_Mammot

Acid Mammoth is a doom/stoner metal band from Athens, Greece, with two of their four members being a father/son guitarist duo. I had never even heard of this band before YouTube put this album in my recommendations today - and, quite frankly, I am not very familiar with a lot of European metal outside of the obvious thrash and death metal scenes - but I am very glad that I decided to give it a shot, because this was a very enjoyable experience.

It pretty much goes without saying that there is a massive amount of Black Sabbath influence on this record - that comes with the territory considering Sabbath pioneered the genre decades ago. The Babalis duo are not afraid to pound the listener with one hulking, fuzzy, slow-paced riff after another, and while for the most part the band does not fluctuate all too much in terms of tempo, they are able to keep things mostly fresh and not overly travel on charted waters. While there are some riffs that could be pulled straight from a Sabbath record or a Matt Pike-penned song (i.e. "Jack the Riffer"), the band keeps it interesting through atmosphere, earworm melodic phrases, and some epic lead passages. The band sprinkles in some psychedelic elements into some of the songwriting, with standout track "Tree of Woe" being a good example -- parts of songs almost are "trance-like" regarding the ambiance they create.

The drum performance fits the songs perfectly, not particularly flashy or technical but flashiness would pretty much kill any sort of ambiance in these doomy, lurching tracks. The mixing of the drums is probably the worst part of the production - the kick drum sounds okay, but the rest of the kit is buried under the wall of distorted guitars and bass, and sounds a bit thin. I was happy with the bass performance on this album; it, for the most part, was not flashy either and created a solid rhythm section with the drums in which the guitars could do their thing, but when the bass got its own time in the spotlight, it was a nice touch to the songs. The tone of the bass is great, distorted and chunky but retaining a degree of clarity that can sometimes get lost in overly fuzzy mixes.

The vocals are really interesting, at times sounding almost uncannily like Ozzy Osbourne, while also occasionally reminding me of Al Cisneros from Sleep in terms of timbre and delivery. I didn't pay much attention to the lyrical content while listening, but after reading the lyrics, I am largely unimpressed, as just seems to be pretty standard drudgery about witchcraft and Satan. This is not a massive detractor but it didn't really serve as a major benefactor, either. The vocals can also be washed under the waves of fuzz and distortion at times, though not quite to the extent of the drums. Lastly, the guitars came through with some really nice riffs, especially when they move up to higher registers. The leads are scarce but are more aimed at adding a grandiose sense of atmosphere to the songs instead of shredding or displaying technical wizardry. The tone is great for this kind of music - warm, fuzzy, overdriven as hell - and the guitars are upfront in the mix (a little bit too upfront).

This record is only 5 songs with a runtime of around 35 minutes, but honestly it left me pretty satiated, not really wanting anymore or less material as a general statement. While I do love "Tree of Woe" and its catchy, titanic riffs, the song would be just as good if the last two minutes were cut; "Tusks of Doom" and "Jack the Riffer" were very solid songs but didn't have the same impression on me as the songs that bookended them, and they sounded a little too cliche for me to fully appreciate them. The title track "Under Acid Hoof" is by far the best track on the record and was a phenomenal way to end the album, with the most creative and eclectic ideas presented here by Acid Mammoth. This band really sounds like they have cemented "their" sound, and while there are probably more "unique" stoner/doom bands out there, I am happy with this release and excited to see what they have in store for us in the next few years.

https://heavypsychsoundsrecord....s.bandcamp.com/album

⁣Dead & Company Venue Medic Team 2021 Help The Way Save Your Face Grateful Dead Shirt



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⁣Margaritaville Some People Claim I’m The Woman To Blame Shirt



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Are you a Parrothead? Do you love Jimmy Buffett and the laid-back island lifestyle he sings about? If so, then the Margaritaville Some People Claim I'm The Woman To Blame Shirt is the perfect addition to your wardrobe.

This comfortable and stylish shirt features the iconic lyrics from the hit song "Margaritaville" that have become a mantra for many Buffett fans. The design includes a colorful parrot perched on a guitar with the words "Some people claim that there's a woman to blame, but I know it's nobody's fault" printed in bold letters. The shirt is available in a variety of sizes and colors, so you can find the perfect fit and style for you.

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But this shirt is more than just a fashion statement. It's also made from high-quality materials that are designed to last. The fabric is soft and breathable, so you can stay comfortable all day long, and the print is fade-resistant, so the vibrant colors will stay looking great even after multiple washes.

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⁣Radiohead I Have A Paper Here That Entitles Me To Fast Track Status Shirt



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Radiohead fans, get ready to rock your style with the "Fast Track Status" t-shirt! This unique t-shirt features the iconic Radiohead logo with the phrase "I have a paper here that entitles me to fast track status" printed in bold letters. It's the perfect way to show off your love for one of the greatest bands of all time while looking cool and stylish.

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⁣Music by Jack Savoretti, Soldier's Eyes. This song was suggested by @Nature_and_Race without whom the rest of the video would not have happened.
Video edits are by me.

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⁣That’s Hip Hop Bobs Burgers Shirt
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⁣https://americansongwriter.com..../behind-the-meaning-




⁣The thing about songs—especially blues songs—is that their origins can often have long roots.
That is especially the case with the hit track “Black Betty” from the ’70s British-American rock band Ram Jam. The song, which was made famous more recently in the 2001 film Blow, is an all-time rocker, buoyed by big guitars and a big voice. But while it rose to fame again in the early 21st century, the song’s beginnings started in the early 20th.

Origins: a Whip, a Wagon, or a Woman?
The original song, “Black Betty,” started as a work song, sung predominately by Black people in the early 20th century. Though its roots may even extend beyond that into the 19th. While it may seem obvious the song is about a woman named “Betty,” that meaning is likely not accurate—at least, not entirely.

The song, like many early blues songs, has ties to the great songwriter and performer Lead Belly. (Another famous tune attributed to him is “In the Pines,” made especially famous by Nirvana in the band’s MTV Unplugged performance, then called “My Girl.”)
Some sources claim that “Black Betty” was written by Lead Belly, though others claim that he adapted it from even earlier versions. Because of its populist origins, the song has many recordings—more recently, Tom Jones took a stab at it. But the most famous in modern day is Ram Jam’s rock version, which is sung with slightly modified lyrics.

While some may think “Black Betty” refers to a woman, others claim it’s a nickname for any number of objects, including a bottle of whiskey, a whip, or even a penitentiary transfer wagon. In Northern England and southern Scotland, wrote David Hackett Fischer, the term “Black Betty” was offered used for a bottle of whiskey. That euphemism was later adopted in the country regions of the eastern United States.

In 1736, American Founding Father Benjamin Franklin published The Drinker’s Dictionary and referenced the term, writing, “He’s kiss’d black Betty.” Other older references include the U.S. wedding tradition in which two groomsmen are pitted against one another in a race. The prize? A bottle of whiskey, known as “Black Betty,” according to Caldwell’s Illustrated Combination Centennial Atlas of Washington Co. Pennsylvania of 1876.

In the 1934 book, American Ballads and Folk Songs, John A. and Alan Lomax write that “‘Black Betty’ … is the whip that was and is used in some Southern prisons.” There are several more references in early 20th century writings to the term referring to a whip. Still, others refer to it as a synonym for the “Black Maria,” which was a term used for the automobile that transferred prisoners to their holding centers.

In Life Flows On in Endless Song: Folk Songs and American History, author Robert Vells writes: “As late as the 1960s, the vehicle that carried men to prison was known as ‘Black Betty,’ though the same name may have also been used for the whip that so often was laid on the prisoners’ backs, ‘bam-ba-lam.'” In more modern references, a “Black Betty” may have been a fast car or motorcycle.

First Recordings
According to reports, the song was first formally recorded in 1933 by U.S. musicologists John and Alan Lomax. It was performed a cappella by convict James “Iron Head” Baker and a group of prisoners at Central State Farm, in Sugar Land, Texas. At the time, Baker was 63 years old.
That Lomax recording was supplied to the Library of Congress. The song also appears in altered field recordings taken in 1934, 1936, and 1939 by musicologists.

Lead Belly, who had a strong relationship with the Lomaxes, recorded a version in 1939 in New York for the Musicraft Records label. Musicraft released that recording that year as part of a five-disc album, Negro Sinful Songs sung by Lead Belly. Lead Belly’s version was also recorded a cappella, with handclaps. Later versions, though, utilized guitar accompaniment. In 1964, for example, Odetta recorded a version with musical instruments.
In 1964, singer Dave Ray recorded a version of the song. And in 1968, Manfred Mann released a version of the song on their LP, Mighty Garvey! That song was titled “Big Betty.” Mann’s band performed the song for the BBC but it was never released.

Lyrics
The lyrics to the song are as much rhythmic placeholders as they are bits of a story. For example, read the first stanza (from the Ram Jam version) below and notice how it’s as staccato as an electric guitar:
Whoa, Black Betty (Bam-ba-lam)
Whoa, Black Betty (Bam-ba-lam)
Black Betty had a child (Bam-ba-lam)
The damn thing gone wild (Bam-ba-lam)
She said, “I’m worryin’ outta mind” (Bam-ba-lam)
The damn thing gone blind (Bam-ba-lam)
I said oh, Black Betty (Bam-ba-lam)
Whoa, Black Betty (Bam-ba-lam)

On the face of it, it would seem “Black Betty” is a person. But in the eyes and mind of an artist, many objects can be personified. And a song with many interpretations is the best kind. Perhaps, as such, there is no “real” meaning. Just many meanings that many people can grasp onto if they so choose.

It continues:
Whoa, Black Betty (Bam-ba-lam)
Whoa, Black Betty (Bam-ba-lam)
She really gets me high (Bam-ba-lam)
You know that’s no lie (Bam-ba-lam)
She’s so rock steady (Bam-ba-lam)
And she’s always ready (Bam-ba-lam)
Whoa, Black Betty (Bam-ba-lam)
Whoa, Black Betty (Bam-ba-lam)
Get it!

Ram Jam Version
Frontman Bill Bartlett formed a band called Starstruck early in his career. While in that band, the musician took Lead Belly’s 59-second version of “Black Betty” and released a revised version on his band’s TruckStar label. It became a regional hit.

Later, producers Jerry Kasenetz and Jeffry Katz formed a new group around Bartlett in 1977 in New York City, which they called Ram Jam. They released a version of “Black Bett” and it became a national hit. It reached No. 18 on the singles charts in the U.S. and it was a top-10 hit in the U.K. and Australia. Since then, the song has appeared in a number of pop culture arenas, including the 2005 film The Dukes of Hazzard, and in figure skater Javier Fernandez’s performance at the World Championships in 2015 in which he won Gold. It appeared in Blow, as mentioned before, and in video games, as well.

Boycott
When the Ram Jam version was released, the NAACP and Congress of Racial Equality called for a boycott due to the song’s lyrics. That boycott failed, however. And the song rose up the charts in 1977. And the band’s self-titled debut album hit No. 40 in the U.S., No. 4 in the Netherlands, and No. 33 in Canada. It was the band’s biggest success and remains so to date.

Cover Versions
As mentioned, Tom Jones attempted a cover, which has earned success for its modern bent. Other notable versions include renditions by the hard rock band, Spiderbait. And the big-voiced Larkin Poe, both of which you can check out below.

Kill Your TV on GAB has made a music video. The topic: Thought crime & criticism of the one group of people that must never be criticized. ⁣https://gab.com/Kill_Your_TV

Music video. Pro-White.

A humble tribute to a good Man that understands. A positive force for what matters imprisoned for making you understand Your chains ⛓️ Juden understands the power in media, art, music and has strategically removed a genuine Kameraden. Whether You understand it yet or not, We are at war with those that will do anything to destroy us. Rise in the love of Your Peoples.

Black Sabbath:
"Wishing Well"

Descriptor in title

A pro-White music video. Love your race, love your people.

A pro-White music video. Love your race, love your people.