⁣Source: https://odysee.com/@HissingPossum:1/AmericanFags:a

“American Fags” by RayCis
@blm_is_jewish
and Hissing Possum (Tom Macdonald American Flags parody) gab.com/HissingPossum

T.me/TheHissingPossum2.0 Follow RayCis on gab.com/Ray_Cis T.me/Ray_Cis
https://www.goyimtv.com/channel/2841573173/RayCis
and on twitter/x
https://twitter.com/Ray_Cis_Music

⁣Source: ⁣https://gab.com/boxoffrogs/pos....ts/11159290768240479


Thumbnail: ⁣https://images.app.goo.gl/veRJ7JzXeNnWQ4mX9


The song was based on Isaac Asimov's Foundation Trilogy, a three-book science series in which the protagonist, Hari Seldon, is a mathematician who invents a new field called psychohistory, which could predict the course of history based on a mathematical analysis of the emotional state of the people of the universe - emotion revealed as the ocean maid. Throughout the course of the history covered by the books, merchants, and later, religious, take over control of society, only to both eventually fail - coins and crosses never know their fruitless worth. The series is also a mystery, where the central unknown is the location of one of the two Foundation planets of a spiral galaxy where the psychohistorians that guide the future of civilization reside - a foundation left to create the spiral aim. Knowing the song, I was able to determine the location of the first foundation before it was revealed in the third book. Many of the elements of the song fit the story, enough for those intrigued to pick up the books.

Written by band members Jon Anderson, Bill Bruford, Steve Howe and Chris Squire, this song runs 10:08 and is divided into four parts:

I) Cord of Life
II) Eclipse
III) The Preacher the Teacher
IV) Apocalypse

A 5:45 edit was released as a single and charted at #42 in the US.

In an interview with Jon Anderson, he answered: "Probably God. Or it could be we collectively. The audience and I, collectively we look for reality of being a true understanding of the beauty of life. We reach over the rainbow for an understanding of things. You and I climb closer to the light."

Few titles start with the word "and"; a more logical title would be "You And I." Jon Anderson told us why the conjunction appears at the beginning: "I sang it that way as I was writing it with Steve (Howe) and it just stuck: 'And you and I climb over the sea to the valley.' It's all about the reasons that we have to call our connection with the Divine. So it was something that just rhythmically worked."

Rick Wakeman, who played keyboards on this track, said, "It has different movements which all go into each other. The object was having a piece of music that was everything that the Yes critics hated us for and the Yes fans loved us for, which was emotion."

This was a highlight of the band's live shows, and one of their favorites to play in concert. The Close To The Edge album was conceived with live performance in mind, which was prescient considering they were still performing it more than 40 years later.

They played it start-to-finish along with The Yes Album and Going for the One on a tour that spanned March 2013 - June 2014. When the group resumed touring in July, they once again played the full album, this time along with Fragile.

In a 2014 interview with Chris Squire, he said: "The audiences respond real well to hearing the music in that format. It reminds them of when they first heard probably what was a vinyl album."

A man conceived a moment's answers to the dream
Staying the flowers daily, sensing all the themes
As a foundation left to create the spiral aim
A movement regained and regarded both the same
All complete in the sight of seeds of life with you

Changed only for a sight of sound, the space agreed
Between the picture of time behind the face of need
Coming quickly to terms of all expression laid
Emotion revealed as the ocean maid
All complete in the sight of seeds of life with you
Oh

Coins and crosses never know their fruitless worth
Cords are broken, locked inside the mother earth
They won't hide, oh, they won't tell you
Watching the world, watching all of the world
Watching us go by

And you and I climb over the sea to the valley
And you and I reached out for reasons to call

Coming quickly to terms of all expression laid
Emotion revealed as the ocean maid
As a movement regained and regarded both the same
All complete in the sight of seeds of life with you

Sad preacher nailed upon the colored door of time
Insane teacher be there, reminded of the rhyme
There'll be no mutant enemy we shall certify
Political ends, as sad remains, will die
Reach out as forward tastes begin to enter you
Ooh, ooh

I listened hard but could not see
Life tempo change out and inside me
The preacher trained in all to lose his name
The teacher travels, asking to be shown the same
In the end, we'll agree, we'll accept, we'll immortalize
That the truth of the man maturing in his eyes
All complete in the sight of seeds of life with you

Coming quickly to terms of all expression laid
As a moment regained and regarded both the same
Emotion revealed as the ocean maid
A clearer future, morning, evening, nights with you

And you and I climb, crossing the shapes of the morning
And you and I reach, over the sun for the river
And you and I climb, clearer, towards the movement
And you and I called over valleys of endless seas

⁣Source: https://twitter.com/Lots_Of_Fu....n_696/status/1733839

Thumbnail: https://images.app.goo.gl/zErPEdj21PjHNveV8

AltCastTV & Odysee thumbnail: https://images.app.goo.gl/yCoSeP8b8dAtBNau8

YUGE PATRIOT 🍎🩸 🇨🇦🇺🇸 - @WenMaMa2 @GenFlynn @codeofvets @827js @DaveSchreiber3 @C_A_N_S_T @Carmeli33392291 @TomaisMac @MAC_ARMY1 @MacyStotty @Kbug1999 @99JWD @1HappyGirl_ @Rammie24 @cmir_r . Good Morning Patriots . 🌹Thanks For The Ride My Friend 🌹 . IFBAP @Lots_Of_Fun_696 😎 . .🚨 FOLLOW THIS CONDUCTOR 🚨 👇👇👇👇👇👇👇 . .🔥🔥🔥@WenMaMa2 🔥🔥🔥 . Wow Can She Sing 🎤

Just finished the TOP 40 by Floppa:

https://odysee.com/@BigFloppaLive:4/Top40.4:8

⁣Source: https://www.youtube.com/watch?v=7N29MzwwcxE

AltCastTV & Odysee thumbnail: https://images.app.goo.gl/vEXiN1hTutt74Z4w8

This is the raw unedited/dubbed version where Malmsteen loses audio a couple of minutes into the song.

The Metallic Live DVD version has an overdub to cover up the audio malfunction, but I believe this is version is better, and more honest.

Bonnet's singing and Malmsteen's playing on this track is just awesome.

Judge for yourself.

⁣Source: https://www.bitchute.com/video/siyxAcQhNky1/

Thumbnail: https://www.reddit.com/r/Toile....tPaperUSA/comments/b

AltCastTV & Odysee thumbnail: https://giphy.com/gifs/news-wa....p-ben-shapiro-p-word

Coutersy of https://www.bitchute.com/channel/morrakiu/

https://www.reddit.com/r/Toile....tPaperUSA/comments/b

⁣There are many out there like VfB, who just want to see the scumbags BURN 🔥 to wit:

Source: https://www.youtube.com/watch?v=z7wwAbwcE4w

CHOOSE: Watch in High Quality- Leave a comment. JftV was formed in 1981 out of the ashes of Madame Wong's West nightclub and the influential West LA underground music scene. My friend, Allen Pitch , and I were the DJs there, meeting many interesting musicians and making contacts. We wanted to perform music like all these bands we were getting to know. I bought a Moog Synthesizer and Allen bought ONE drum and ONE broken cymbal. We found 3 other musicians who didn't realize how bad we were, since they weren't much better! We all had terrible singing voices and we played our instruments at differing levels of ineptitude. Fortunately, we improved our sound with dedicated practice and experience.

You could describe us as rock, power pop, punk, new wave, melodic, alternative, garage, satirical, unlistenable, rock opera, artsy-fartsy, but mainly, Theatrical Performance Rock-- kind of a Jewish Alice Cooper. By 1982, the original members split up due to artistic differences. Imagine that. So, Marc and Allen brought in Joe and Dave to add funky chops and actual musical talent.

The original line-up had a career resembling the Sex Pistols, in that we were so offensive, infamous hilarity ensued. We were attacked with food, tomatoes, and whatnot during our sets. The principal of Fairfax High School (Phil Spector's Alma Mater) rightfully pulled the plug on us after our second number, a rollicking punkish version of "Springtime for Hitler" during lunch hour. I clearly remember being berated by an outraged rabbi's wife who didn't get the joke. Well, we deserved it. We were asking for it simply by getting up and performing this material...poorly...in front of paying customers. We definitely got a reaction. Eventually, I'll create a memorial website for Jews from the Valley. No reunions planned, don't worry!

Fledgling network MTV said they wouldn't even think of playing our videos. Of course they never got a chance to see this little gem, which is admittedly ethnically offensive, but not nearly as appalling as our original line-up's songs. They banned the original line-up for life, so we just assumed the new line-up was also banned...making this video a notorious little ditty for your viewing 'pleasure', meant to mildly offend you, yet entertain you with several chuckles that you're embarrassed about verbalizing. Our song titles included "Beirut is Burning", "Mr. Kosher Man", "The Shool was Rockin", "Hava Nagila/Harvey & Sheila", and "I'm 13" spoofing "I'm 18" with a gruesome Bar Mitzvah twist, which perfectly meshed my 2 favorite influences, Alice Cooper and Allan Sherman. I think we had talent and we were funny, but just not good enough to invest into a career move. We were smart to treat this as a 2 year hobby. I hope all the lads are thriving in their chosen lines of work. They say guys start rock bands to meet girls....curiously that didn't really happen with JftV. Not too many nice Jewish girls hung out at the Starwood, Wong's West, or the Whiskey back then.

Our band featured a few guest appearances I must chronicle (since this stupid youtube description has grown into our official biography): Gigi Mariam on keyboards, Elliot on guitar and harmonies, Rob on drums, and of course the late great Jeff Seidman as the Misguided Ex-Terrorist who subtly sees the error of his ways in this video. Jeff also leapt up onstage unexpectedly, a la Andy Kaufman and Bob Zmuda, as the psychotic Rabbi during our live shows. Jeff's passing in 1983 was a great loss to the community, to comedy, to film, and a personal loss for me since he was my good friend throughout all of high school and college.

Jews from the Valley was seriously reviewed by Craig Lee for the LA Times when we opened for Redd Kross. He wrote that we were "a one-joke garage band. " I guess he didn't think the one joke was funny. I found that criticism unfair since, although we were definitely a concept band performing grungy rock operas and producing/projecting films and videos built around the overall concept, we created many many laughs and shrieks of shock...and isn't outrage what we were taught rock 'n roll was all about?

Please feel free to add a comment. If you like our music and/or our lyrics (you do?
really?), I might be tempted to track down and upload more Jews from the Valley footage...if it's not too inappropriate or
controversial for youtube [or BitChute!].

Please see our other video upload for more info on the band:

• "Jews from the Vallley"-banned by MTV...
https://www.youtube.com/watch?v=hPryI-DHaFw&t=0s

Special thanks to Mr. White Tuber and to Sinead McCarthy for this!

⁣There are many out there like VfB, who just want to see the scumbags BURN 🔥 to wit:

Source: https://www.youtube.com/watch?v=z7wwAbwcE4w

CHOOSE: Watch in High Quality- Leave a comment. JftV was formed in 1981 out of the ashes of Madame Wong's West nightclub and the influential West LA underground music scene. My friend, Allen Pitch , and I were the DJs there, meeting many interesting musicians and making contacts. We wanted to perform music like all these bands we were getting to know. I bought a Moog Synthesizer and Allen bought ONE drum and ONE broken cymbal. We found 3 other musicians who didn't realize how bad we were, since they weren't much better! We all had terrible singing voices and we played our instruments at differing levels of ineptitude. Fortunately, we improved our sound with dedicated practice and experience.

You could describe us as rock, power pop, punk, new wave, melodic, alternative, garage, satirical, unlistenable, rock opera, artsy-fartsy, but mainly, Theatrical Performance Rock-- kind of a Jewish Alice Cooper. By 1982, the original members split up due to artistic differences. Imagine that. So, Marc and Allen brought in Joe and Dave to add funky chops and actual musical talent.

The original line-up had a career resembling the Sex Pistols, in that we were so offensive, infamous hilarity ensued. We were attacked with food, tomatoes, and whatnot during our sets. The principal of Fairfax High School (Phil Spector's Alma Mater) rightfully pulled the plug on us after our second number, a rollicking punkish version of "Springtime for Hitler" during lunch hour. I clearly remember being berated by an outraged rabbi's wife who didn't get the joke. Well, we deserved it. We were asking for it simply by getting up and performing this material...poorly...in front of paying customers. We definitely got a reaction. Eventually, I'll create a memorial website for Jews from the Valley. No reunions planned, don't worry!

Fledgling network MTV said they wouldn't even think of playing our videos. Of course they never got a chance to see this little gem, which is admittedly ethnically offensive, but not nearly as appalling as our original line-up's songs. They banned the original line-up for life, so we just assumed the new line-up was also banned...making this video a notorious little ditty for your viewing 'pleasure', meant to mildly offend you, yet entertain you with several chuckles that you're embarrassed about verbalizing. Our song titles included "Beirut is Burning", "Mr. Kosher Man", "The Shool was Rockin", "Hava Nagila/Harvey & Sheila", and "I'm 13" spoofing "I'm 18" with a gruesome Bar Mitzvah twist, which perfectly meshed my 2 favorite influences, Alice Cooper and Allan Sherman. I think we had talent and we were funny, but just not good enough to invest into a career move. We were smart to treat this as a 2 year hobby. I hope all the lads are thriving in their chosen lines of work. They say guys start rock bands to meet girls....curiously that didn't really happen with JftV. Not too many nice Jewish girls hung out at the Starwood, Wong's West, or the Whiskey back then.

Our band featured a few guest appearances I must chronicle (since this stupid youtube description has grown into our official biography): Gigi Mariam on keyboards, Elliot on guitar and harmonies, Rob on drums, and of course the late great Jeff Seidman as the Misguided Ex-Terrorist who subtly sees the error of his ways in this video. Jeff also leapt up onstage unexpectedly, a la Andy Kaufman and Bob Zmuda, as the psychotic Rabbi during our live shows. Jeff's passing in 1983 was a great loss to the community, to comedy, to film, and a personal loss for me since he was my good friend throughout all of high school and college.

Jews from the Valley was seriously reviewed by Craig Lee for the LA Times when we opened for Redd Kross. He wrote that we were "a one-joke garage band. " I guess he didn't think the one joke was funny. I found that criticism unfair since, although we were definitely a concept band performing grungy rock operas and producing/projecting films and videos built around the overall concept, we created many many laughs and shrieks of shock...and isn't outrage what we were taught rock 'n roll was all about?

Please feel free to add a comment. If you like our music and/or our lyrics (you do?
really?), I might be tempted to track down and upload more Jews from the Valley footage...if it's not too inappropriate or
controversial for youtube [or BitChute!].

Please see our other video upload for more info on the band:

• "Jews from the Vallley"-banned by MTV...
https://www.youtube.com/watch?v=hPryI-DHaFw&t=0s

Special thanks to Mr. White Tuber and to Sinead McCarthy for this!

https://momentmag.com/the-jewish-history-of-punk/

https://truthpodium.org/watch/....jews-created-degener

⁣Source: ⁣https://www.youtube.com/@mrmenno

⁣Hell hath no fury like a 'woman' scorned.


Starring Katie Yeomans, Tiffany Moore, David Walliams, Matt Lucas, India Willoughby, Tiesa Meskis, Zoey Tur, Eden Torres, Laura Hobbs and 'Unknown Person With Pink Hair'


#ItsMaam
___________________________________________


💜 Please support my work on Patreon so I can make more vids to call out the #GenderLies​​: https://www.patreon.com/BadGaySuperGay
💜 Or donate at https://www.paypal.me/mrmenno


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COPYRIGHT DISCLAIMER Under Section 107 of the Copyright Act 1976, allowance is made for the Use for purposes such as criticism, comment, news, reporting, teaching, scholarship and research. Fair use is permitted by copyright statute that might otherwise be infringing. Non=profit, educational or personal use tips the balance in favour of fair use. In other words this is just a simple reaction video.

Gamestop better step up to the plate

@axelgrease69
1 year ago (edited)
This man can actually rap better than most rappers nowadays

@spiker702
9 months ago
That dude can spit ngl

@kingbradley6000
2 years ago
I like how he doesnt even attempt to sound like a woman lmao.

@carloswater7
This is the manliest rap music I ever heard. Yet he claims to be a "ma'am"

"It's Ma'am!" (The Misgender Funk)
https://www.youtube.com/watch?v=HGbKy8yf0yk

https://www.surlyhorns.com/boa....rd/topic/10144-refus

LookWhat ICanDo posted:

Billboard Chris assaulted; police take side of trans attacker 🚨🦄👮

"The most violent group in the western world are transgender activists.
Here I am getting assaulted in the presence of dozens of police who do nothing."

https://twitter.com/BillboardChris/status/1641974876373393408?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1641974876373393408%7Ctwgr%5Ede2900d7785f2c1cf15427641cc944053288012d%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fhotair.com%2Fdavid-strom%2F2023%2F04%2F01%2Fbillboard-chris-assaulted-police-take-side-of-trans-attacker-n540944

https://hotair.com/david-strom..../2023/04/01/billboar

https://i.imgur.com/vFlygdC.jpg

⁣Country music viral sensation Oliver Anthony, singer of "Rich Men North of Richmond" has now spoke out publicly regarding his eight-million-dollar record label offer. Oliver Anthony made it very where he stands when it comes to being bought. Oliver Anthony means every word he sings in "Rich Men North of Richmond."

Subscribe to Country Cast → https://bit.ly/2TD6Uir
Subscribe to our rock music channel, Rock Feed → http://bit.ly/1OgssY1
Official website: www.countrycast.net
TikTok: https://www.tiktok.com/@countrycast
Instagram: https://www.instagram.com/countrycastnet/

⁣Girl Talk - All Day

AltCastTV & Odysee thumnail: https://tenor.com/search/get-to-the-point-gifs

The download is now available here.
http://illegalart.net/girltalk/shop/

All Day is intended to be listened to as a whole.
It is broken up into individual tracks only for easier navigation.

This album is a free download.

Girl Talk thanks all artists sampled.

Creative Commons License - http://creativecommons.org/licenses/by-nc/3.0/us/
All Day by Girl Talk is licensed under a Creative Commons Attribution-Noncommercial license. The CC license does not interfere with the rights you have under the fair use doctrine, which gives you permission to make certain uses of the work even for commercial purposes. Also, the CC license does not grant rights to non-transformative use of the source material Girl Talk used to make the album.

⁣Source: https://www.youtube.com/@PSA10Cards


⁣AltCastTV & Odysee thumbnail: https://giphy.com/explore/jason-aldean


#jasonaldean #trythatinasmalltown #woke #cmt #budlight

T-SHIRTS LINK - https://go-woke-go-broke.print....ify.me/product/18019

Donations - https://www.paypal.com/paypalme/tagehatch?country.x=US&locale.x=en_US

Cash App - Tagehatch
Venmo - Tagehatch

Check out this listing by using the link below or searching the item# on ebay!
https://www.ebay.com/itm/18594....2986443?hash=item2b4

Make sure to check out our website -
https://psagradedslabs.com/

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⁣https://manowar.com/music/battle-hymns/


⁣BATTLE HYMNSRELEASED 1982
Death Tone
Metal Daze
Fast Taker
Shell Shock
Manowar
Dark Avenger
William’s Tale
Battle Hymn
Total playtime: 36:10 minutes
Produced by Ross The Boss, Joey DeMaio/ MANOWAR
Original release: 1986
Total playtime: 35:57 minutes
Also released as
BATTLE HYMNS – SILVER EDITION (2001, Produced by MANOWAR)
The BATTLE HYMNS – SILVER EDITION has been completely digitally re-mastered from the original tapes to provide the best sound imaginable. In striving for absolute perfection. Each CD contains a full-color booklet with 16-pages of liner notes, exclusive photos and interviews with the original four band members.
BATTLE HYMNS MMXI (2010, Produced by MANOWAR)
On iTunes
Album details
Completely re-recorded, the BATTLE HYMNS MMXI Edition celebrates the 30th anniversary of MANOWAR’s ground-breaking debut album.
BATTLE HYMNS MMXI – SPECIAL EDITION (2011, Produced by MANOWAR)
On iTunes
Album details

⁣Source: https://odysee.com/@ThisIsFine....:4/AcidMammothUnderA

There are three letters that do NOT exist in OMGItsFLOOD's lexicon - those letters are C P T - he gets up in the wee hours of the morning to red-pill you:
https://odysee.com/@FLOOD:3/saturday003:7

That's where VfB heard Acid Mammoth for the 1st time

https://www.metal-archives.com..../reviews/Acid_Mammot

Acid Mammoth is a doom/stoner metal band from Athens, Greece, with two of their four members being a father/son guitarist duo. I had never even heard of this band before YouTube put this album in my recommendations today - and, quite frankly, I am not very familiar with a lot of European metal outside of the obvious thrash and death metal scenes - but I am very glad that I decided to give it a shot, because this was a very enjoyable experience.

It pretty much goes without saying that there is a massive amount of Black Sabbath influence on this record - that comes with the territory considering Sabbath pioneered the genre decades ago. The Babalis duo are not afraid to pound the listener with one hulking, fuzzy, slow-paced riff after another, and while for the most part the band does not fluctuate all too much in terms of tempo, they are able to keep things mostly fresh and not overly travel on charted waters. While there are some riffs that could be pulled straight from a Sabbath record or a Matt Pike-penned song (i.e. "Jack the Riffer"), the band keeps it interesting through atmosphere, earworm melodic phrases, and some epic lead passages. The band sprinkles in some psychedelic elements into some of the songwriting, with standout track "Tree of Woe" being a good example -- parts of songs almost are "trance-like" regarding the ambiance they create.

The drum performance fits the songs perfectly, not particularly flashy or technical but flashiness would pretty much kill any sort of ambiance in these doomy, lurching tracks. The mixing of the drums is probably the worst part of the production - the kick drum sounds okay, but the rest of the kit is buried under the wall of distorted guitars and bass, and sounds a bit thin. I was happy with the bass performance on this album; it, for the most part, was not flashy either and created a solid rhythm section with the drums in which the guitars could do their thing, but when the bass got its own time in the spotlight, it was a nice touch to the songs. The tone of the bass is great, distorted and chunky but retaining a degree of clarity that can sometimes get lost in overly fuzzy mixes.

The vocals are really interesting, at times sounding almost uncannily like Ozzy Osbourne, while also occasionally reminding me of Al Cisneros from Sleep in terms of timbre and delivery. I didn't pay much attention to the lyrical content while listening, but after reading the lyrics, I am largely unimpressed, as just seems to be pretty standard drudgery about witchcraft and Satan. This is not a massive detractor but it didn't really serve as a major benefactor, either. The vocals can also be washed under the waves of fuzz and distortion at times, though not quite to the extent of the drums. Lastly, the guitars came through with some really nice riffs, especially when they move up to higher registers. The leads are scarce but are more aimed at adding a grandiose sense of atmosphere to the songs instead of shredding or displaying technical wizardry. The tone is great for this kind of music - warm, fuzzy, overdriven as hell - and the guitars are upfront in the mix (a little bit too upfront).

This record is only 5 songs with a runtime of around 35 minutes, but honestly it left me pretty satiated, not really wanting anymore or less material as a general statement. While I do love "Tree of Woe" and its catchy, titanic riffs, the song would be just as good if the last two minutes were cut; "Tusks of Doom" and "Jack the Riffer" were very solid songs but didn't have the same impression on me as the songs that bookended them, and they sounded a little too cliche for me to fully appreciate them. The title track "Under Acid Hoof" is by far the best track on the record and was a phenomenal way to end the album, with the most creative and eclectic ideas presented here by Acid Mammoth. This band really sounds like they have cemented "their" sound, and while there are probably more "unique" stoner/doom bands out there, I am happy with this release and excited to see what they have in store for us in the next few years.

https://heavypsychsoundsrecord....s.bandcamp.com/album

⁣Dead & Company Venue Medic Team 2021 Help The Way Save Your Face Grateful Dead Shirt



Find out here ($11.95 ONLY) :
https://www.0stees.com/product....s/dead-company-venue
Email: support@0stees.com - Website: https://www.0stees.com

Dead & Company is a popular American rock band that has been touring extensively in recent years. The band has a strong following of fans who love their music and their unique style. If you're a fan of Dead & Company, then you'll want to check out this amazing new t-shirt.

The Dead & Company Venue Medic Team 2021 Help The Way Save Your Face Grateful Dead Shirt is the perfect way to show your support for the band and their music. This shirt features a cool design that incorporates the band's logo and their signature style.

But what makes this shirt even more special is the fact that it is dedicated to the Dead & Company Venue Medic Team. These are the hardworking individuals who help keep everyone safe and healthy during the band's tours. By wearing this shirt, you can show your appreciation for their efforts and support their important work.

Not only is this shirt a great way to show your support for Dead & Company and their medic team, but it's also a great addition to any fan's wardrobe. The shirt is made from high-quality materials that are comfortable to wear and easy to care for. Plus, the design is both stylish and unique, making it a great conversation starter for any Dead & Company fan.

If you're looking for a great way to show your love for Dead & Company and their music, then you need to get the Dead & Company Venue Medic Team 2021 Help The Way Save Your Face Grateful Dead Shirt. Don't wait any longer, order yours today!

⁣Margaritaville Some People Claim I’m The Woman To Blame Shirt



Find out here ($11.95 ONLY) :
https://www.0stees.com/product....s/margaritaville-som
Email: support@0stees.com - Website: https://www.0stees.com

Are you a Parrothead? Do you love Jimmy Buffett and the laid-back island lifestyle he sings about? If so, then the Margaritaville Some People Claim I'm The Woman To Blame Shirt is the perfect addition to your wardrobe.

This comfortable and stylish shirt features the iconic lyrics from the hit song "Margaritaville" that have become a mantra for many Buffett fans. The design includes a colorful parrot perched on a guitar with the words "Some people claim that there's a woman to blame, but I know it's nobody's fault" printed in bold letters. The shirt is available in a variety of sizes and colors, so you can find the perfect fit and style for you.

Whether you're lounging on the beach, tailgating at a concert, or just relaxing with friends, this shirt is sure to turn heads and start conversations. It's also a great gift for the Parrothead in your life, or for anyone who loves the fun and carefree spirit of Jimmy Buffett's music.

But this shirt is more than just a fashion statement. It's also made from high-quality materials that are designed to last. The fabric is soft and breathable, so you can stay comfortable all day long, and the print is fade-resistant, so the vibrant colors will stay looking great even after multiple washes.

If you're ready to embrace the Margaritaville lifestyle and show off your love for Jimmy Buffett, then the Margaritaville Some People Claim I'm The Woman To Blame Shirt is the perfect choice for you. So why wait? Order yours today and start living life like a true Parrothead.

⁣Radiohead I Have A Paper Here That Entitles Me To Fast Track Status Shirt



Find out here ($11.95 ONLY) :
https://www.0stees.com/product....s/radiohead-i-have-a
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⁣Music by Jack Savoretti, Soldier's Eyes. This song was suggested by @Nature_and_Race without whom the rest of the video would not have happened.
Video edits are by me.

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⁣https://americansongwriter.com..../behind-the-meaning-




⁣The thing about songs—especially blues songs—is that their origins can often have long roots.
That is especially the case with the hit track “Black Betty” from the ’70s British-American rock band Ram Jam. The song, which was made famous more recently in the 2001 film Blow, is an all-time rocker, buoyed by big guitars and a big voice. But while it rose to fame again in the early 21st century, the song’s beginnings started in the early 20th.

Origins: a Whip, a Wagon, or a Woman?
The original song, “Black Betty,” started as a work song, sung predominately by Black people in the early 20th century. Though its roots may even extend beyond that into the 19th. While it may seem obvious the song is about a woman named “Betty,” that meaning is likely not accurate—at least, not entirely.

The song, like many early blues songs, has ties to the great songwriter and performer Lead Belly. (Another famous tune attributed to him is “In the Pines,” made especially famous by Nirvana in the band’s MTV Unplugged performance, then called “My Girl.”)
Some sources claim that “Black Betty” was written by Lead Belly, though others claim that he adapted it from even earlier versions. Because of its populist origins, the song has many recordings—more recently, Tom Jones took a stab at it. But the most famous in modern day is Ram Jam’s rock version, which is sung with slightly modified lyrics.

While some may think “Black Betty” refers to a woman, others claim it’s a nickname for any number of objects, including a bottle of whiskey, a whip, or even a penitentiary transfer wagon. In Northern England and southern Scotland, wrote David Hackett Fischer, the term “Black Betty” was offered used for a bottle of whiskey. That euphemism was later adopted in the country regions of the eastern United States.

In 1736, American Founding Father Benjamin Franklin published The Drinker’s Dictionary and referenced the term, writing, “He’s kiss’d black Betty.” Other older references include the U.S. wedding tradition in which two groomsmen are pitted against one another in a race. The prize? A bottle of whiskey, known as “Black Betty,” according to Caldwell’s Illustrated Combination Centennial Atlas of Washington Co. Pennsylvania of 1876.

In the 1934 book, American Ballads and Folk Songs, John A. and Alan Lomax write that “‘Black Betty’ … is the whip that was and is used in some Southern prisons.” There are several more references in early 20th century writings to the term referring to a whip. Still, others refer to it as a synonym for the “Black Maria,” which was a term used for the automobile that transferred prisoners to their holding centers.

In Life Flows On in Endless Song: Folk Songs and American History, author Robert Vells writes: “As late as the 1960s, the vehicle that carried men to prison was known as ‘Black Betty,’ though the same name may have also been used for the whip that so often was laid on the prisoners’ backs, ‘bam-ba-lam.'” In more modern references, a “Black Betty” may have been a fast car or motorcycle.

First Recordings
According to reports, the song was first formally recorded in 1933 by U.S. musicologists John and Alan Lomax. It was performed a cappella by convict James “Iron Head” Baker and a group of prisoners at Central State Farm, in Sugar Land, Texas. At the time, Baker was 63 years old.
That Lomax recording was supplied to the Library of Congress. The song also appears in altered field recordings taken in 1934, 1936, and 1939 by musicologists.

Lead Belly, who had a strong relationship with the Lomaxes, recorded a version in 1939 in New York for the Musicraft Records label. Musicraft released that recording that year as part of a five-disc album, Negro Sinful Songs sung by Lead Belly. Lead Belly’s version was also recorded a cappella, with handclaps. Later versions, though, utilized guitar accompaniment. In 1964, for example, Odetta recorded a version with musical instruments.
In 1964, singer Dave Ray recorded a version of the song. And in 1968, Manfred Mann released a version of the song on their LP, Mighty Garvey! That song was titled “Big Betty.” Mann’s band performed the song for the BBC but it was never released.

Lyrics
The lyrics to the song are as much rhythmic placeholders as they are bits of a story. For example, read the first stanza (from the Ram Jam version) below and notice how it’s as staccato as an electric guitar:
Whoa, Black Betty (Bam-ba-lam)
Whoa, Black Betty (Bam-ba-lam)
Black Betty had a child (Bam-ba-lam)
The damn thing gone wild (Bam-ba-lam)
She said, “I’m worryin’ outta mind” (Bam-ba-lam)
The damn thing gone blind (Bam-ba-lam)
I said oh, Black Betty (Bam-ba-lam)
Whoa, Black Betty (Bam-ba-lam)

On the face of it, it would seem “Black Betty” is a person. But in the eyes and mind of an artist, many objects can be personified. And a song with many interpretations is the best kind. Perhaps, as such, there is no “real” meaning. Just many meanings that many people can grasp onto if they so choose.

It continues:
Whoa, Black Betty (Bam-ba-lam)
Whoa, Black Betty (Bam-ba-lam)
She really gets me high (Bam-ba-lam)
You know that’s no lie (Bam-ba-lam)
She’s so rock steady (Bam-ba-lam)
And she’s always ready (Bam-ba-lam)
Whoa, Black Betty (Bam-ba-lam)
Whoa, Black Betty (Bam-ba-lam)
Get it!

Ram Jam Version
Frontman Bill Bartlett formed a band called Starstruck early in his career. While in that band, the musician took Lead Belly’s 59-second version of “Black Betty” and released a revised version on his band’s TruckStar label. It became a regional hit.

Later, producers Jerry Kasenetz and Jeffry Katz formed a new group around Bartlett in 1977 in New York City, which they called Ram Jam. They released a version of “Black Bett” and it became a national hit. It reached No. 18 on the singles charts in the U.S. and it was a top-10 hit in the U.K. and Australia. Since then, the song has appeared in a number of pop culture arenas, including the 2005 film The Dukes of Hazzard, and in figure skater Javier Fernandez’s performance at the World Championships in 2015 in which he won Gold. It appeared in Blow, as mentioned before, and in video games, as well.

Boycott
When the Ram Jam version was released, the NAACP and Congress of Racial Equality called for a boycott due to the song’s lyrics. That boycott failed, however. And the song rose up the charts in 1977. And the band’s self-titled debut album hit No. 40 in the U.S., No. 4 in the Netherlands, and No. 33 in Canada. It was the band’s biggest success and remains so to date.

Cover Versions
As mentioned, Tom Jones attempted a cover, which has earned success for its modern bent. Other notable versions include renditions by the hard rock band, Spiderbait. And the big-voiced Larkin Poe, both of which you can check out below.